Songs of the Week / Movie Friday 07/22/2022

SONGS OF THE WEEK 07/22/2022

I’ll be the first to admit I’m too lazy for manifestos, but I figure it’s a good idea to give some context as to what these weekly updates are all about (but I’m not gonna pretend I invented weekly songs or movies—actually, I sorta ripped off A Song A Day when I started making these back in the day. I’d link their website, but I’m fairly certain it was shut down a while ago. We are well into digression territory here… maybe this should be a footnote). Since the new year began in 2018, I’ve been creating lists of five songs in Instagram and Snapchat story format and posting them weekly. In the beginning, it was mostly another creative outlet that allowed me to put my own interests out there— back then, I was still in high school, and was fairly convinced that sharing my music with my friends was on par with cropdusting in an airplane cabin. Since then, I’m glad to say I’ve found many people beyond my lovely family (who I owe my music taste to) who are excited to exchange songs, and they’ve propelled this little ritual into something that provides structure in my life through highs and lows— perhaps a bit too much structure. If you know me, you know I rarely drink, and I certainly don’t in the house, because if you know me, then you also know I have less impulse control than a toddler in a shock collar. These days, I’m trying to take a similar approach to social media management, but I’d be remiss to sacrifice this tradition— in fact, one of my main motivations for raising this blog from the grave was to give these a new home. I hope they bring you the same peace and structure as they do for me.

Alright, so maybe I’m too lazy to actively make a manifesto, but too wordy to not accidentally vomit one out. I guess that might be worth getting used to if you want to survive around these parts.

And you know what’s cool about posting this with space for extra words? All you can do is watch as I crack my knuckles in painstaking sequence and get ready to wax poetic about ALL FIVE SONGS.

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Murder! at the Oscars (Shoe-Shine and Gun Smoke)

[TW: Blood and Gun Violence, neither of which I condone, especially given the atrocious political landscape that the USA is currently mired in. As with the rest of the Dream Stories series, this is spun out from a dream and is meant to be entirely humorous.]

There is no canned applause when the disheveled man takes the stage, an AK-47 in one hand and the head of some expired 90’s heartthrob in the other, sunken but still plastered with a surgical smile.


The Dolby Theater’s renowned acoustics complement the gong of each warning shot, and like the great Nicole Kidman before me, I am too immersed in the cinema of it all to dive behind a seat.

“Enter the will of the people, stage left!” squawks the man with far less baritone than his bullhorn gun. He shoos with the head still clenched by its stiff quiff, flicking the comedian offstage with jugular stud’s blood. Her shriek splits the stale air dispersed by her scattered notes, a livelier performance than anything else gasped out in years. She smacks the floor as her polite jokes are atomized into illegible letters by another ear-splitting blast.


But still, this can’t be happening. The crowd is frozen— how captivating a performance! The whole audience joins me outside the fishbowl despite the semiautomatic muzzle snarling in our direction. And this isn’t my party, anyways— my name tag says “collateral damage,” and my invitation rolled out of a raffle cage.

“No more movies, give me cinema! I want to be swept off my feet, not showered in your patronizing mundanities rained down from atop a gilded throne! The people want a culling, not a coddling. Down with mediocrity, I say! Death to the sheep-shaman— death to the Oscars!”

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